Sous le Mer, the hotel’s bar, was decorated in blue and turquoise square tiles and provided underwater glimpses of the hotel’s swimming pool (and diving patrons) through rectangular glass panels edged in brass frames.
For the hotel’s coffee shop, which featured a two-story wall of glass windows that opened onto the Mediterranean, he used sheer panels overlaid with gold paisley patterns that echoed the lacey grillwork of the building’s architecture. Like Islamic…
Beirut was the first project where Prince applied his philosophy of design tied to location. Paisley fabrics, inspired by the arabesques of Islamic decorative arts and Arabic script, were used as wall coverings. In the case of the furnishings, Prince…
When Prince thought the area devoted to the pool was too small for a luxury resort, he tackled the problem through design: he created undulating waves of blue, green, and white tile that flowed across the terrace into the swimming pool, that, when…
While employed by the architectural firm William M. Ballard, Prince was sent to Beirut to work on the Phoenicia Inter-Continental Hotel's interiors and represent the hotel's renowned architects Edward Durell Stone and Joseph P. Salerno in matters of…